Here is a reproduction of the course
notes provided for a series of three coaching sessions
run by Prof. 'Jes' Smith at the University of
Hertfordshire.
All information is © John Edward
Smith
Routine or Warm-Up Lesson
Should not be routine and ideally will
"sharpen" the pupil/fencer.
How can we achieve this:-
- deceive the pupil's parries
-
parry the pupil's hits
deceive and/or parry then complete a short phrase
- add redoubles
-
attack on the pupil's recovery
redouble and/or attack and then complete a short
phrase
- deceive the pupil's parries
-
delay own hit (will prompt the pupil to hold their
parry or to
redouble according to the phrase)
Also take a stroke and use it with
different footwork/distance and in different parts of the
phrase
Lesson and Control
-
Over control
"step forward, now ... step back and ...
etc."
-
Lax control
"With mobility ... let's do it moving"
no timing or co-ordination is coveyed
because the fencer is either:
- mechanical, inhibited and slow
- has no knowledge of correct
co-ordination
Answer:
- in the warm-up and in general use the
feet and blade to give direction and movement and not
the voice.
-
in the lesson be specific
e.g. "Parry as the front foot completes the step
back"
"Make the engagement as the front foot
advances"
"Retire with the rear foot as you make the
riposte"
When we give a lesson on a
stroke/action use all the 'T's
- Technique - for every stroke the coach
should have a minimum of two teaching points and/or
points to check.
- Tactic - for every stroke the give one
or more tatical applications
- Timing - for every stroke have a very
specific timing or variety
- Territory - for every stroke change
the distance
- Tic-Tac - for every stroke put it into
a short phrase
- Terminology - use it and make it
clear
Types of Lesson
-
Routine - as above, student must be familiar with the
strokes
Danger - fencer
may interpret some continuity hitting strokes
outside of their true tactical concept.
-
New Material - introduce the stroke within a
phrase/situation.
isolate skills; use touch and sound - not just
sight.
put into phrase
put into routine lesson.
- Skills repetition - using an action
repeated in different parts of the phrase or with
different footwork/distance.
- Open reaction/choice reaction - similar
to a routine lesson but with a limited and fixed set of
routines.
-
Choice of action
The fencer decides the opening or closing action of
an exercise.
The fencer decides whether to use first intention
or "open-eyes".
- Mimic/Mirror/Loop - the fencer is
required to copy the coach's choice of stroke when
riposting or counter-riposting and/or work continuously
with changes of rhythm.
- Tactical Circle - the lesson progresses
through simple parry + riposte - compound - counter -
simple
- Choice reaction - the fencer observes
and responds to stimuli A + B, then A + C and then
finally A + B + C - the % is varied.
- Open-eyes attack or riposte - an
advanced form of choice reaction: the student must be
familiar with the possible stimuli.
- Tactical (new) - similar to (2) but the
fencer knows the strokes and only the particular use is
new.
- The exam lesson - an artificial device
to probe knowledge and ability demonstrated through
giving of a lesson. True competence can be exhibited by
applying aspects of the above lessons to the task
set.
Some Key Coaching Points
- The three 'T's - Technique, Timing,
Tactics
-
Avoid all negative instructions
"don't drag the rear foot" becomes "fix
the rear foot" or "drag the rear foot only
when 110% committed to a first intention
attack"
"don't drop the hand" becomes "finish
with the hand at my shoulder height"
- Remember that touch is an ealier
stimulus than sight.
- Be Specific
-
"step-beat-lunge" becomes "step-beat just
ahead of the rear foot landing-lunge"
- Exploit Error
-
If the fencer uses a "wrong" stroke, develop that
as a contrast to the required stroke.
- Use Mnemonics
-
How Powerful
Can Repostes
Be with Repeated
Prise-de-fer
Hits Parries
Compound Repostes
Beats Renewals
Prise-de-fer
- Hand/Blade Co-ordination
-
Two blade actions per step or if one blade
action where is it done?
- Think how you can make the fencer
perform the action faster
- With a phrase let the pupil practise
the final action, the penultimate + final action and
then the whole phrase (work backwards)
- Sympathetic blade presentation.
What is Timing
When can you hit?
-
Attack at the commencement of a preparation:
(difficult in modern fencing unless it is well
anticipated)
- Attack at the opponent's feint - at the
commencement or the recovery
-
Attack at the opponent's attack - on the
recovery
(control of distance and footwork)
- Attack at the opponent's hesitation -
immediately - simple or compound?
When can you best induce a line for
counter time?
When can the 'defender' take
control?
- Induce the attack with feint parry
- Induce the attack with feint stop
hit
- Induce the riposte with feint attack
- Induce the renewal with distance
