sword

Broken Time Actions

This is always a difficult action to explain to fencers. However, it can be explained quickly, by listing the following points:

  1. An action which changes the cadence or timing of the attack.
  2. An action which deliberately gives away the right of attack, but in such a. way that the opponent cannot take advantage of the action.
  3. An attack which takes an extra period of fencing time.ie. an attack which is normally in two periods of time takes three.

This action is very useful when used against fencers who take very wide parries ie. it gets them moving and the attacker must wait until they have opened the line, then hit them in that line. The problem in coaching this action is that all fencers have their own broken time, sometimes the result of A flaw in their make-up, or simply and action used through experience. A good example of broken time is a double coupé:

  1. The first action of the coupé is technically correct, thus gaining priority.
  2. The point is then retracted, the fencer waits for the second parry and hits in the open line.
The main point to remember is that the first feint must get the opponent's defence moving, so that when the action is held the opponent cannot make the counter-attack. This is the main reason for fencers who habitually use broken time being stop-hit; the first action is poor and does not provoke the parry, but instead provokes, a counterattack.

Other examples are:- a) Beat - straight thrust - coupé. b) Double coupé and lunge low.

Development of the Lesson

  1. Coach the action technically.
  2. The action is used with a variety of footwork.
  3. The action is used in a number of different ways- as a riposte or as a counter riposte.
  4. Used in counter-time i.e. the first feint draws a counter-offensive action, then parry and riposte. It is useful to end this action with a prise-de-fer.
  5. Selection exercise and tactical development.
  6. The coach teaches a simple action, to be added when the opponent anticipates a broken time attack.

Defence against Broken Time

The defence against broken time is always a difficult subject, but one that must be tackled. The approach must be tactical, and the first way of defeating broken time is to use one's eyes. The fencer should observe which action is being used., from which line the attack is coming and at what distance. If the coach can train his fencer to use his eyes, they he might be able to cut out the action by a change of timing or by using distance. There are various ways of defeating broken time-

  1. Remembering that broken time almost always ends in the same line, the fencer notices this and waits for the blade to arrive. Thus by anticipation he parries the final action.
  2. The fencer alters his distance, then counter-attacks on the first action.
  3. The fencer could use raised sixte - this will deal with a high percentage of broken time coupés.
  4. The coach could train the fencer to take a late circular parry. This often stops broken time, as fencers rarely do broken time with doublés.

Fighting Lesson

Now, when the fencer is technically competent, comes the main point in coaching - the fighting lesson. First the coach must remember what he is trying to do; that is to incorporate any new action into the fencer's game, not as often happens to replace one action with a new action. The coach is trying to increase the knowledge and repertoire of the fencer, so he should approach the lesson as a competitor and not so much as a coach.

Development

  1. The lesson must be technically correct.
  2. Variety of conditions. ie. cut-over as an attack preceded by a pressure and step - in various lines.
  3. The distance must be varied.
  4. The pupil must concentrate on waiting for the correct time to launch his attack. He should also know when not to do the action.
  5. Stroke selection. ie. blade high - attack low, blade low attack high.
  6. The lesson should be to the standard of the fencer.
  7. If the fencer makes a mistake then he must be hit, or made to realise what can happen.
  8. The coach should move and thin} like a fencer.
  9. When the fencer completes his action he must be made to return to the on-guard position, ready to launch another attack or to defend himself.
  10. The tactical use of the stroke must be understood i.e. a straight thrust done with detachment, with opposition, and with angulation from various lines. The action can be used as a surprise action - great emphasis on watching the opponent's blade. e.g. From octave-thrust when the opponent's hand is high with supination and pronation.

Close-quarter Fencing

Both coach and fencer must have adequate protection. There are several points which should be brought out when explaining close-quarter fencing.

  1. Holding the blade.
  2. Domination
  3. Angulation.
  4. Opposition.
  5. If the fencer-goes high, coach goes low, and the reverse.
  6. Three distances, coach steps in, coach lunges in, coach flèches in.

The fencer is trained to place the point on target and not-to panic and jab, or jump back uncovered.

  1. The coach and fencer are engaged in sixte. The coach should insist on the pupil dominating his blade, then by use of angulation the pupil places the hit on target. The pupil could also displace his opponent's blade by use of forte to foible ie. by sliding along the blade. The lesson was developed to deal with the distances listed in f). The pupil should practise placing the point on differrent parts of the target. An action which is very useful, is a deliberate step in when the opponent has lunged, in order to get inside his point.
  2. The coach should introduce ceding and opposition parries.
  3. At this stage seconde is introduced. Also, the action of placing the hit on the back, sometimes passing over the head to hit.
  4. Ensure that the pupil does not force corps-a corps, when in close.
  5. Close-quarter fighting should now be taught as a tactical action, where the fencer deliberately tries to get in close to his opponent. The fencer must also be coached in the rules regarding close-quarter fighting.

Variable Parries

There are a number of different parries which could be termed variable. In essence, they are parries taken at different heights to surprise an opponent, or to defeat an opponent by tactics.

i.e. Counter-Sixte
  1. Counter-sixte is first taken correctly.
  2. It is then taken by dropping the hand to deal with a. low-line attack. This surprises an opponent and leaves him very vunerable to a direct riposte.
  3. It is now taken by lifting the blade at the end of the parry, to either riposte over the blade, or to guide the opponent's blade over the shoulder and then to riposte low,
  4. The parry is taken with the blade ending across the target and the hand high for a riposte to the back.
  5. Using the variations listed above, the stroke was developed into a time thrust.

Other examples- Septime and lifted septime. Seconde and lifted seconde. Quarte, high and low.

"Variable parries" can be developed into a tactical or a fighting lesson.



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